{"title":"Zisha Duan Ni \/ Green Clay (段泥 \/ 绿泥)","description":"\u003cp\u003eA yellow-green clay valued for its \u003cstrong data-start=\"4840\" data-end=\"4890\"\u003emild mineral character and smooth brewing feel\u003c\/strong\u003e.\u003cbr data-start=\"4891\" data-end=\"4894\"\u003eSoftens sharp flavours in lighter teas and brings out sweetness in aged teas. Ideal for balancing floral notes in lighter oolongs, green teas, young Sheng Puerh.\u003c\/p\u003e","products":[{"product_id":"zisha-teapot","title":"ZISHA TEAPOT SHI PIAO, HANDMADE BY ARTIST LEVEL 4, ZHANG KE(L4-2021) Duan Ni","description":"\u003cp\u003e🫖 Shi-Piao Teapot (Full Form) 石瓢·满瓢\u003cbr\u003eClay: Huangjin Duanni 黄金段泥\u003cbr\u003eCapacity: 200ml\u003cbr\u003eCraftsmanship: Fully Handmade\u003cbr\u003eArtist: Zhang Ke 张轲（Level 4 Artist, 2021 Certified）\u003c\/p\u003e\n\u003cp\u003eIncludes: Official certificate + Gift box\u003c\/p\u003e\n\u003cp\u003eA Refined Classic, Reimagined by a Rising Master\u003cbr\u003eThe Shi-Piao (Stone Ladle) Teapot is one of the most iconic forms in Yixing teapot history, revered for its triangular structure, steady stance, and precise pour. This \"Full Form\" variation — or \"Man-Piao\" — features a more rounded, fuller body, exuding power and balance, while preserving the classic geometric lines and forward-leaning posture that defines the Shi-Piao silhouette.\u003c\/p\u003e\n\u003cp\u003eCrafted from pure Huangjin Duanni (Golden Duanni), this teapot pairs elegance with excellent brewing performance.\u003c\/p\u003e\n\u003cp\u003eAbout the Clay – Huangjin Duanni 黄金段泥\u003cbr\u003eHuangjin Duanni is a rare and visually captivating variety of Duanni, named for its golden hue and natural warmth. A subtype of the famous original Duan clay, it is sourced from the Yixing region and known for its fine grain and strong breathability.\u003c\/p\u003e\n\u003cp\u003eFired Color: Warm golden yellow with earthy undertones\u003c\/p\u003e\n\u003cp\u003eTexture: Slightly sandy, beautifully porous\u003c\/p\u003e\n\u003cp\u003eFunctionality: Excellent heat retention and smooth tea expression\u003c\/p\u003e\n\u003cp\u003eRecommended Teas: Ideal for aged Sheng Pu-erh, mellow Oolongs, and White tea, as it enhances depth and smoothens edges\u003c\/p\u003e\n\u003cp\u003eTeapots made from Huangjin Duanni are less common, and prized for their ability to balance tea structure and sweetness, while developing a rich patina with use.\u003c\/p\u003e\n\u003cp\u003e🏆 Family Legacy – Born into the Legendary \"Cao Family of Four Hands\"\u003cbr\u003eZhang Ke is not only a talented young artist in his own right, but also a direct inheritor of one of the most prestigious lineages in Yixing pottery — the \"Cao Family of Four Hands (曹家四手)\", a name held in the highest regard in the Zisha world.\u003c\/p\u003e\n\u003cp\u003eHis mother, Cao Yanping (曹燕萍), is a Level 2 National Arts \u0026amp; Crafts Master, celebrated for her refined craftsmanship and elegant aesthetic.\u003cbr\u003eHis maternal uncle, Cao Yalin (曹亚麟), is a Level 1A National Master, and one of the most respected names in modern Yixing ceramics.\u003cbr\u003eHis uncle, Cao Anxiang (曹安详), and his aunt, Cao Yanping(曹燕萍), are both Provincial Masters (also Level 1) — all of whom have significantly shaped the development of contemporary Zisha artistry.\u003c\/p\u003e\n\u003cp\u003eGrowing up in such a profound artistic environment, Zhang Ke absorbed not only the technical skills of clay and fire but also the cultural heritage and philosophical depth that the Cao family embodies. His works carry the bloodline of tradition, infused with the spirit of modern creativity, making him one of the most promising voices of the new generation.\u003c\/p\u003e\n\u003cp\u003eTeapot Name: Shi-Piao (Full Form)\u003cbr\u003eClay: Huangjin Duanni – Rare golden variant of Duan clay\u003cbr\u003eCapacity: 200ml\u003cbr\u003eArtist: Zhang Ke (Level 4, 2021)\u003cbr\u003eIncludes: Certificate \u0026amp; Gift Box\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRecommended For: Collectors and everyday brewers seeking elegance and performance\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":39569046929466,"sku":"","price":1480.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/products\/WhatsAppImage2022-05-30at11.29.40AM_1_1024x1024_2x_93d20bed-c51c-41aa-a4c1-4666aa313eed.jpg?v=1663647299"},{"product_id":"zisha-teapot-by-artist-level-3-yu-zhen-l3-2018-duan-ni","title":"Zisha teapot Lian Zi, handmade by artist Level 3, YU Zhen(L3-2018）DUAN NI","description":"\u003cp\u003e🫖 Lian Zi Teapot (Lotus Seeds) “莲子”壶\u003cbr\u003eClay: Duan Ni (\u003cstrong data-start=\"915\" data-end=\"931\"\u003eWucai \u003c\/strong\u003e) 五彩段泥\u003cbr\u003eCapacity: 250ml\u003cbr\u003eCraftsmanship: Fully Handmade\u003cbr\u003eEngraving: Orchids with \"幽兰飘香\"\u003cbr\u003eArtist: Yu Zhen 俞震 (Level 3 National Arts \u0026amp; Crafts Artist, 2018)\u003cbr\u003eIncludes: Certificate of authenticity + gift box\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Shape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"694\" data-end=\"1041\" class=\"\"\u003eThe Lian Zi (Lotus Seed) teapot is one of the earliest and most classical shapes in the Yixing teapot tradition, with origins tracing back to the Yongzheng era of the Qing Dynasty, or possibly even earlier. Its defining structure consists of a series of rounded forms stacked from small to large, creating a rhythm of layered symmetry.\u003c\/p\u003e\n\u003cp data-start=\"1043\" data-end=\"1391\" class=\"\"\u003eThe form represents more than elegance — it embodies the traditional Chinese blessing of “Lian Sheng Gui Zi” (连生贵子), meaning “continuous birth of noble children.” The lotus (\u003cem data-start=\"1225\" data-end=\"1231\"\u003elian\u003c\/em\u003e) symbolizes continuity, while the seed (\u003cem data-start=\"1272\" data-end=\"1276\"\u003ezi\u003c\/em\u003e) refers to offspring. Together, this shape conveys wishes for prosperity, family legacy, and enduring lineage.\u003c\/p\u003e\n\u003ch4 data-start=\"1393\" data-end=\"1440\" class=\"\"\u003eRelationship to Duo Zhi \u0026amp; Duo Qiu Teapots:\u003c\/h4\u003e\n\u003cul data-start=\"1442\" data-end=\"2051\"\u003e\n\u003cli data-start=\"1442\" data-end=\"1726\" class=\"\"\u003e\n\u003cp data-start=\"1444\" data-end=\"1726\" class=\"\"\u003eThe Duo Zhi (掇只) teapot evolved from the lotus seed form by removing the ear-shaped wings below the handle and transforming the lid into a two-tier structure, reflecting the concept of “duo” (stacking or layering). The result is a more minimalist and upright silhouette.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1727\" data-end=\"2051\" class=\"\"\u003e\n\u003cp data-start=\"1729\" data-end=\"2051\" class=\"\"\u003eLater, Feng Youting and his disciple Cheng Shouzhen refined the Duo Zhi into the Duo Qiu (掇球) teapot. They raised the neck, rounded the lid into a semi-spherical dome, and made the knob more spherical, creating the impression of three full spheres stacked together — hence the name “stacked balls.”\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2053\" data-end=\"2356\" class=\"\"\u003eThese three teapot shapes — Lian Zi, Duo Zhi, and Duo Qiu — form a continuous lineage in Yixing teapot design. Each represents a different stage in the evolution of form and philosophy, and all are celebrated for their timeless structure, auspicious symbolism, and refined craftsmanship.\u003c\/p\u003e\n\u003cp data-start=\"2358\" data-end=\"2529\" class=\"\"\u003eFor collectors and enthusiasts alike, the Lotus Seed teapot stands as a foundational icon — a beginning of form and a legacy of meaning in the art of Yixing Zisha.\u003c\/p\u003e\n\u003cp data-start=\"2358\" data-end=\"2529\" class=\"\"\u003e\u003cstrong\u003eThe Calay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"2358\" data-end=\"2529\" class=\"\"\u003eWucai Duanni, or “Five-Colored Duanni,” is a naturally co-mined Yixing Zisha clay composed of Duanni (yellow clay), Hongni (red clay), and Zini (purple clay). Unlike artificially blended clays, these three mineral types are naturally fused within the same ore body, forming a unique material that is both visually striking and functionally refined.\u003c\/p\u003e\n\u003cp data-start=\"1281\" data-end=\"1573\" class=\"\"\u003eThe clay is extracted from the Zhaozhuang mine, located at the tail end of Huanglong Mountain’s mineral belt, making it part of Yixing’s prestigious original ore lineage. Due to its scarcity and unique geological structure, it is considered a rare and highly collectible clay.\u003c\/p\u003e\n\u003ch3 data-start=\"1580\" data-end=\"1609\" class=\"\"\u003eClay Characteristics:\u003c\/h3\u003e\n\u003cul data-start=\"1611\" data-end=\"2104\"\u003e\n\u003cli data-start=\"1611\" data-end=\"1672\" class=\"\"\u003e\n\u003cp data-start=\"1613\" data-end=\"1672\" class=\"\"\u003eComposition: Naturally fused Duanni, Hongni, and Zini\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1673\" data-end=\"1759\" class=\"\"\u003e\n\u003cp data-start=\"1675\" data-end=\"1759\" class=\"\"\u003eTexture: Gritty yet smooth; refined granularity with natural mineral speckling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1760\" data-end=\"1891\" class=\"\"\u003e\n\u003cp data-start=\"1762\" data-end=\"1891\" class=\"\"\u003eColor After Firing: Multi-toned, with speckled surface of red, yellow, brown, and dark hues — hence the name “Five-Colored”\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1892\" data-end=\"1919\" class=\"\"\u003e\n\u003cp data-start=\"1894\" data-end=\"1919\" class=\"\"\u003eShrinkage Rate: ~8%\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1920\" data-end=\"2035\" class=\"\"\u003e\n\u003cp data-start=\"1922\" data-end=\"1948\" class=\"\"\u003eFiring Temperatures:\u003c\/p\u003e\n\u003cul data-start=\"1951\" data-end=\"2035\"\u003e\n\u003cli data-start=\"1951\" data-end=\"1977\" class=\"\"\u003e\n\u003cp data-start=\"1953\" data-end=\"1977\" class=\"\"\u003eStandard: ~1250–1320°C\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1980\" data-end=\"2035\" class=\"\"\u003e\n\u003cp data-start=\"1982\" data-end=\"2035\" class=\"\"\u003eHigh-intensity firing (e.g. Grade 11): up to 1360°C\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2036\" data-end=\"2104\" class=\"\"\u003e\n\u003cp data-start=\"2038\" data-end=\"2104\" class=\"\"\u003eIron Content: Ranges from 18% to 40% depending on firing curve\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2106\" data-end=\"2326\" class=\"\"\u003eAfter processing by skilled clay craftsmen through hand selection, purification, and natural aging, the clay is formed into works that exhibit striking surface patterns and a subtle luster that evolves with time.\u003c\/p\u003e\n\u003ch3 data-start=\"2333\" data-end=\"2364\" class=\"\"\u003ePerformance in Brewing:\u003c\/h3\u003e\n\u003cp data-start=\"2366\" data-end=\"2480\" class=\"\"\u003eWucai Duanni is known for its balanced breathability and superior heat retention, making it ideal for brewing:\u003c\/p\u003e\n\u003cul data-start=\"2482\" data-end=\"2582\"\u003e\n\u003cli data-start=\"2482\" data-end=\"2508\" class=\"\"\u003e\n\u003cp data-start=\"2484\" data-end=\"2508\" class=\"\"\u003eYoung Sheng Pu-erh\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2509\" data-end=\"2548\" class=\"\"\u003e\n\u003cp data-start=\"2511\" data-end=\"2548\" class=\"\"\u003eRock Oolongs (e.g. Wuyi Yancha)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2549\" data-end=\"2582\" class=\"\"\u003e\n\u003cp data-start=\"2551\" data-end=\"2582\" class=\"\"\u003eAged or aromatic black teas\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2584\" data-end=\"2845\" class=\"\"\u003eIt retains warmth, enhances fragrance, and brings out clarity and body in the liquor. With continued use and proper tea seasoning, the surface will develop a lustrous “ice-jade” like sheen, creating a visually stunning and tactilely rich experience.\u003c\/p\u003e\n\u003cp data-start=\"3249\" data-end=\"3381\" class=\"\"\u003eWucai Duanni is not only a pleasure to use — it is a story of earth, fire, and time, written across every curve of your teapot. 🌈🍵\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Artist – Yu Zhen (俞震)\u003c\/strong\u003e\u003cbr\u003eBorn in 1969 in the ceramics capital of Yixing, Yu Zhen is a Level 3 National Arts \u0026amp; Crafts Artist (awarded in 2018) and a respected member of Zisha Factory No. 1.\u003c\/p\u003e\n\u003cp\u003eWith over 20 years of experience in Yixing ceramic carving and teapot making, Yu Zhen’s works are known for their bold forms, refined carving, and masculine grace. Trained under multiple senior masters and immersed in a family of ceramic artists, Yu brings together the essence of traditional Chinese art and his own unique design sensibilities.\u003c\/p\u003e\n\u003cp\u003eHis style is characterized by:\u003cbr\u003e✔ Structural confidence with dynamic flow\u003cbr\u003e✔ Deep cultural references in shape and decoration\u003cbr\u003e✔ Powerful lines, dignified proportions, and authentic workmanship\u003cbr\u003e\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":39797924397114,"sku":"","price":480.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/products\/5_1024x1024_2x_49737056-56bd-4ed5-91f6-d9989563688b.jpg?v=1670313537"},{"product_id":"zisha-teapot-by-skillful-artist-zhuang-lei-zi-ni-1","title":"Zisha teapot Well Fence (Jing Lan), handmade by Studio Craftsmanship ZHUANG Lei, Duan Ni","description":"\u003cp\u003e🫖 The Well Fence Teapot (井栏）\u003cbr\u003eClay: Duan Ni (Old Duanni 老段泥) – Rare Symbiotic Zisha Clay\u003cbr\u003e\u003cbr\u003eCapacity: 220ml\u003cbr\u003eArtist: ZHUANG Lei 庄雷( 莊雷)\u003c\/p\u003e\n\u003ch3 class=\"mini-grid-cell-inner\"\u003eTHE CLAY\u003c\/h3\u003e\n\u003cp\u003eLaoduan clay is a naturally occurring symbiotic ore formed by the blending of original Ben Shan Lü Ni (local green clay) and Zi Ni (purple clay) in the wild. Unlike artificially mixed clays, this co-mineralized material is mined in its natural state from the northern slope of Tuan Shan, where Huanglong Mountain and Qinglong Mountain meet — an area historically referred to as the origin of \"Tuan Shan Ni\" in classic Zisha literature.\u003c\/p\u003e\n\u003cp\u003eClay Characteristics\u003cbr\u003eKiln Temperature: ~1150–1200°C\u003c\/p\u003e\n\u003cp\u003eShrinkage Rate: ~12%–13%\u003c\/p\u003e\n\u003cp\u003eColor After Firing: Ranges from bronze-like sheen to golden yellow with a reddish glow, depending on temperature and sand blending\u003c\/p\u003e\n\u003cp\u003eClay Body: Firm and fine-grained, with a smooth, dense finish\u003c\/p\u003e\n\u003cp\u003eBreathability: Excellent\u003c\/p\u003e\n\u003cp\u003eClay Type: Fully matured aged clay (熟泥) through extended underground storage (陈腐)\u003c\/p\u003e\n\u003cp\u003eWhy Collectors Love Laoduan Clay\u003cbr\u003eLaoduan is celebrated for its classic texture, stunning fired color, and broad brewing compatibility. The mineral balance of this symbiotic ore creates a teapot body that is both structurally strong and aesthetically warm. Its high iron and mineral content produce a refined sheen and bronze-like depth, making it a favorite among serious collectors.\u003c\/p\u003e\n\u003cp\u003eThis clay is technically challenging to work with, requiring experience and care during both shaping and firing, but the end result is well worth the effort.\u003c\/p\u003e\n\u003cp\u003eRecommended Teas\u003cbr\u003eLaoduan teapots are forgiving and versatile, making them ideal for both beginners and seasoned brewers. They work particularly well with:\u003c\/p\u003e\n\u003cp\u003eYoung Sheng Pu-erh\u003c\/p\u003e\n\u003cp\u003eOolong (esp. Tie Guan Yin, Dancong)\u003c\/p\u003e\n\u003cp\u003eBlack Tea\u003c\/p\u003e\n\u003cp\u003eGreen Tea\u003c\/p\u003e\n\u003cp\u003eThe teapot’s natural breathability ensures a smooth, gentle extraction of flavor, while offering clarity and softness in the tea liquor.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"mini-grid-cell-inner\"\u003eTHE SHAPE\u003c\/h3\u003e\n\u003cp\u003eThe Well Fence Teapot, an innovative creation by the grand master Chen Mansheng, stands as a pinnacle among classic traditional teapot designs. Its unique physique, mirroring the structure of a well fence, is meticulously crafted with graceful curved lines, forming a seamless cylindrical body. The teapot's shoulders exhibit an elegant roundness, and the lid, embedded with captivating curves, adds a touch of allure. The knob, resembling a cylindrical column, gracefully extends at a slant, harmonizing with the circular handle that complements the spout. Together, they create a visually rhythmic and harmonious composition.\u003c\/p\u003e\n\u003cp\u003eThis teapot's overall design is marked by simplicity, featuring concise lines meticulously balanced to invite contemplation and appreciation. The exquisite craftsmanship is evident in the detailed inlay work, ensuring smooth lines, an even surface, and a well-rounded form. These elements, subtly concealed within the artwork, play a pivotal role in defining its elevated artistic quality, contributing to the teapot's enduring charm and appeal.\u003c\/p\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\n\u003ch3 class=\"mini-grid-cell-inner\"\u003eECRAVING 刻绘\u003c\/h3\u003e\n刻“浮世清欢”。\u003c\/div\u003e\n\u003cp\u003e出自苏轼词《浣溪沙 从泗州刘倩叔游南山》：\u003c\/p\u003e\n\u003cp\u003e细雨斜风作晓寒，淡烟疏柳媚晴滩。入淮清洛渐漫漫。\u003c\/p\u003e\n\u003cp\u003e雪沫乳花浮午盏，蓼茸蒿笋试春盘。\u003cstrong\u003e人间有味是清欢\u003c\/strong\u003e。 \u003c\/p\u003e\n\u003cp\u003e“浮世”，人间。 “清欢”，不是大欢、狂欢，更不是贪欢。与此相对应，便就是一种清清爽爽的欢愉。 远离喧嚣的城市，远离官场的争斗，忘却名利欲望，感受素朴的清茶淡饭生活，这就是“清欢”。 “清欢”有味。\u003c\/p\u003e\n\u003cp\u003e当然，今天，我们赞赏“清欢”，未必是苏轼所言走进山林、拒食人间烟火。 而是要面对社会人生，少一些抄作的热闹，多做一些尽心的实事； 少一些虚伪的笑脸，多一些坦然的真诚与平和。\u003c\/p\u003e\n\u003cp\u003e庄雷 DUAN NI 老段泥  “井栏” - 浮世清欢\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":39798640115770,"sku":"","price":280.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/products\/3_1024x1024_2x_1539f941-5e90-49ad-ba07-ad8cd5828700.jpg?v=1670383740"},{"product_id":"zisha-teapot-qu-zhu-handmade-by-artist-level-3-yang-fei-l3-2021-lv-ni","title":"Zisha teapot Qu Zhu, handmade by artist Level 3, YANG Fei（L3-2021）Lv Ni","description":"\u003cp\u003e🫖 Curved Bamboo (Qu Zhu)\u003cbr\u003eClay: Family Collection, Republic Green (Minguo Lv Ni) 民国绿泥 紫砂壶 “曲竹”\u003cbr\u003eCapacity: 390ml\u003cbr\u003eArtist: YANG Fei 杨菲\u003cbr\u003eLevel: National Arts \u0026amp; Crafts Artist (Level 3 – awarded in 2021)\u003cbr\u003eIncludes: Certificate of authenticity + gift box\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE CLAY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003eRepublic \u003c\/span\u003eGreen Clay\" refers to a type of local clay that was mined from Ding Shu Huanglong Mountain before 1949. It has a greenish hue and is found in thin layers of light green-colored soil, which is only a few centimeters thick and located between the upper layer of purple clay and the rock layer. Due to its unique location, it is also known as \"Dragon Tendons.\" Its main mineral composition is silica, quartz, and a small amount of metal oxide. The amount of mining is extremely limited, making it a rare and highly prized clay.\u003c\/p\u003e\n\u003cp\u003eTeapots made from this clay are called \"Minguo Green Clay Teapots,\" which are some of the finest and most distinctive purple clay teapots. Lucky collectors who possess a Minguo Green Clay teapot can enjoy its increasing rarity and elevated status over time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE SHAPE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional ideas\/sentences for the product description:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThis Curved Bamboo teapot made from Minguo Green Clay is a masterpiece of art and function.\u003c\/li\u003e\n\u003cli\u003eThe 390 CC capacity is perfect for enjoying a tea ceremony with friends and family.\u003c\/li\u003e\n\u003cli\u003eMinguo Green Clay is known for its unique greenish hue, which adds a touch of elegance to any tea set.\u003c\/li\u003e\n\u003cli\u003eThe rarity and quality of this teapot make it a highly coveted item among collectors and tea enthusiasts.\u003c\/li\u003e\n\u003cli\u003eThe craftsmanship of this teapot is exquisite, with attention paid to every detail to ensure a perfect brewing experience.\u003c\/li\u003e\n\u003cli\u003eAdd this Minguo Green Clay teapot to your collection and experience the unique beauty and rich history of Chinese tea culture.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Artist:   \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYANG Fei 杨菲, National Master of Arts and Crafts, level 3 (awarded 9 Dec 2021) \u003c\/p\u003e\n\u003cp\u003eBorn in 1990 in Dingshu Town, Yixing City, she is reserved in speech but agile in action, and has been dedicated to the art of teapot making for more than ten years.\u003c\/p\u003e\n\u003cp\u003eShe studied under Senior Master of Arts and Crafts (level 2), Gu Shunfang, and under her mentorship, her skills have improved and her personal style has emerged. Her works are characterized by simple and concise lines, a simple and dignified shape, profound charm, and an emphasis on using changes in lines to express the beauty of the teapot.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e器型：曲竹\u003c\/p\u003e\n\u003cp\u003e泥料：家藏 民国绿泥 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e容量： 390 CC\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e工艺师：\u003c\/h3\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" class=\"mini-grid-table mini-grid-rowstable\"\u003e\n\u003ctbody\u003e\n\u003ctr id=\"mini-9$row2$5\" class=\"mini-grid-row mini-grid-row-hover mini-grid-row-selected\"\u003e\n\u003ctd class=\"mini-grid-cell\" id=\"5$cell$1\"\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\u003cspan\u003e杨菲 L3\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"mini-grid-cell\" id=\"5$cell$4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e女，1990.01.14 , 出生于\u003c\/span\u003e丁山制壶世家。\u003c\/p\u003e\n\u003cp\u003e师从高级工艺美术师顾顺芳，在师父的言传身教下，技艺精进，个人风格初现。其作品以简练的线条构成淳朴凝重形状，神韵深厚，古朴端庄，主张以线条的变化来体现器行之美。\u003c\/p\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e国家工艺美术师\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e通过日期：二〇\u003cspan\u003e二一年十二月九日\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\u003cspan\u003e无锡市工艺美术专业中级专业技术资格评审委员会\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3 class=\"mini-grid-cell-inner\"\u003e紫砂泥料\u003c\/h3\u003e\n\u003cp\u003e所谓“民国绿泥”，是指在1949年以前从丁蜀黄龙山上开采出来的一种颜色偏绿的本山段泥。 民国绿泥矿土呈淡绿色层片状，产于黄龙山紫砂泥岩层中(象五花肉一样)，仅数厘米厚，由于位于紫泥上层与岩板间，俗称\"龙筋\"，其矿物组成主要为二氧化硅，石英及少量的金属氧化物，采掘量极少，如今已经非常稀有。将这种泥料添加低于0.5%的氧化钴和其它矿物颜料做出来的壶，就叫民国绿泥壶。 \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“民国绿泥”来龙去脉：\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e明代宣德年间，紫砂壶生产者学习了青花瓷中“苏麻里青”的运用，在段泥中加入这种颜料，呈现出非常美观的表面效果。但是，这种原料比较精贵，未能广泛使用。\u003c\/p\u003e\n\u003cp\u003e直到民国后期，上海城隍庙古玩经营者，应收藏家的要求，聘请了一批丁蜀的制壶高手到上海做壶，在普通的段泥中添加了这种颜料，就这样，民国绿泥才真正从上海诞生，这种壶会呈现淡绿偏蓝的表面机理，是仿古紫砂壶的好材料，在当时，受到了许多人的追捧。\u003c\/p\u003e\n\u003cp\u003e1949年以后，紫砂进入了一个微妙的发展时期，从1956年紫砂合作社成立，到1966年文革开始，紫砂分粗货和细货两类，粗货就是日用的普通茶壶，细货就是工艺品。当时，民国绿泥只用于细货，而且一定是提供给手艺特别高的人做，生怕这精贵的原料给糟蹋了。\u003c\/p\u003e\n\u003cp\u003e到了80年代中期，由于民国绿泥壶的定量越来越大，于是就开始用德国生产的氧化钴，由于纯度好，添加从原来的0.5%减少到0.3%，而且表面效果异常的好，进入2000年以后，人们在添加氧化钴的同时，还会添加少量的氧化锰、铁等，这样，紫砂表面的呈色更加丰富多彩。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“民国绿泥”是化工壶吗？\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e金属氧化物作为着色剂，广泛用于陶瓷，玻璃，铁、锰、钴在元素周期表中属于过渡元素，不属于重金属元素，且它们在硅酸盐中是非常稳定的，是不溶于水及弱酸碱的。只要我们合理地、适量地运用是完全无毒无害的。\u003c\/p\u003e\n\u003cp\u003e目前，许多人对所谓化工壶认知上是有偏差或错误的，在紫砂原料中添加金属氧化物并通过1100度以上高温烧成的紫砂壶不叫化工壶，只有在烧成以后的成品壶上，用化学物质处理表面的才叫化工壶(如用皮鞋油作旧处理等)。\u003c\/p\u003e\n\u003cp\u003e近现代，许多大师非常钟爱用民国绿泥来做壶，比如：吴云根，朱可心，顾景舟，蒋蓉等。原因有二：\u003c\/p\u003e\n\u003cp\u003e一是民国绿泥在表现题材上十分丰富；\u003c\/p\u003e\n\u003cp\u003e二是这种原料非常昂贵，是泥中精品。相当稀少，更没有毒害。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e除了这两个原因外，这种泥料制壶效果尤佳。壶刚出窑时，并不很绿，而且灰蒙蒙的，但是经过茶水的养泡，越养越润，肌理可人。\u003c\/p\u003e\n\u003cp\u003e对民国绿紫砂壶，想爱又不敢爱的紫砂壶收藏家们，不要被那些不懂装懂的弯曲的报道所迷惑。\u003c\/p\u003e\n\u003cp\u003e民国绿泥是最优秀最富特色的紫砂泥之一。有一把民国绿泥的紫砂壶藏家是幸运的，因为随着时间的推移，其地位将越来越受到人们的瞩目！\u003c\/p\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\n\u003ch3\u003e壶型 \u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"\" class=\"mini-grid-cell-inner\"\u003e\n\u003cp\u003e此壶以竹为题材，造型简练精细，从整个壶中可感受到竹子的灵气，彰显竹子那高风亮节的精神。\u003c\/p\u003e\n\u003cp\u003e壶嘴做竹筒嘴，边饰竹枝竹叶，形象而生动，壶把为竹节把，亦以竹节造型呈现，强调竹节的生态美，平盖，滴纽以竹节为形贴叶，以民国绿泥的高贵颜色，更赋整个壶型予神韵，浑厚大气，气势非凡，通身用竹段展现，清雅飘香。 \u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003e刻绘\u003c\/h3\u003e\n\u003cp\u003e王维诗 《\u003cspan\u003e竹里馆\u003c\/span\u003e》的第一句：”\u003cspan\u003e独坐幽篁里，弹琴复长啸\u003c\/span\u003e”\u003c\/p\u003e\n\u003cp\u003e另一侧：白居易 《东楼竹》\u003c\/p\u003e\n\u003cp\u003e潇洒城东楼，绕楼多修竹。\u003cbr\u003e森然一万竿，白粉封青玉。\u003cbr\u003e卷帘睡初觉，欹枕看未足。\u003cbr\u003e影转色入楼，床席生浮绿。\u003cbr\u003e空城绝宾客，向夕弥幽独。\u003cbr\u003e楼上夜不归，此君留我宿。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":40854262710330,"sku":null,"price":690.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/Pot_1024x1024_2x_522eca5a-375b-4a1d-946c-d70821c3f339.jpg?v=1745380179"},{"product_id":"zisha-teapot-by-level-1a-grandmasters-jiang-rong","title":"Zisha teapot by Level 1A Grandmasters, JIANG Rong 蒋蓉 紫砂加釉 荷花莲子青蛙壶","description":"\u003cp data-start=\"1561\" data-end=\"1790\" class=\"\"\u003eAuction reference price HKD2,680,000\u003c\/p\u003e\n\u003cp data-start=\"1561\" data-end=\"1790\" class=\"\"\u003eLotus and frog, one pot and 4 sets of tasting cups with \u003cspan class=\"Y2IQFc\" lang=\"en\"\u003ehandles and asters\u003c\/span\u003e\u003cspan class=\"Y2IQFc\" lang=\"en\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"200\" data-end=\"277\"\u003e\u003cstrong data-start=\"204\" data-end=\"275\"\u003eMaster Jiang Rong – The First Lady of Chinese Zisha Art (1919–2008)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"279\" data-end=\"645\"\u003e\u003cstrong data-start=\"279\" data-end=\"293\"\u003eJiang Rong\u003c\/strong\u003e, also known by her studio name \u003cem data-start=\"325\" data-end=\"335\"\u003eLin Feng\u003c\/em\u003e, was born in 1919 in Yixing, Jiangsu Province — the cradle of Zisha pottery. A prodigy from an early age, she began studying pottery at the age of 11 under her father, \u003cstrong data-start=\"504\" data-end=\"523\"\u003eJiang Hong-Quan\u003c\/strong\u003e, and later apprenticed with her uncle \u003cstrong data-start=\"562\" data-end=\"580\"\u003eJiang Hong-Gao\u003c\/strong\u003e in Shanghai, where she mastered the art of sculptural teaware.\u003c\/p\u003e\n\u003cp data-start=\"647\" data-end=\"918\"\u003eRecognized as both a \u003cstrong data-start=\"668\" data-end=\"724\"\u003eNational Master of Arts and Crafts (1993, 3rd batch)\u003c\/strong\u003e and a \u003cstrong data-start=\"731\" data-end=\"780\"\u003eNational Ceramic Art Master (2003, 1st batch)\u003c\/strong\u003e, Jiang Rong remains a towering figure in Chinese ceramic history — \u003cstrong data-start=\"848\" data-end=\"915\"\u003ethe first woman ever awarded the title of Zisha Master in China\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"920\" data-end=\"1334\"\u003eHer early works, including the \u003cem data-start=\"951\" data-end=\"962\"\u003eLotus Pot\u003c\/em\u003e, \u003cem data-start=\"964\" data-end=\"975\"\u003ePeony Pot\u003c\/em\u003e, and \u003cem data-start=\"981\" data-end=\"1000\"\u003eBuddha’s Hand Pot\u003c\/em\u003e, were praised for lifelike realism and poetic elegance. She was appointed by the Jiangsu provincial government in 1956 as a \u003cstrong data-start=\"1125\" data-end=\"1168\"\u003etechnical consultant for Yixing pottery\u003c\/strong\u003e, a rare honour at the time. Later, under Premier \u003cstrong data-start=\"1218\" data-end=\"1244\"\u003eZhou Enlai’s direction\u003c\/strong\u003e, she created Zisha art sets as \u003cstrong data-start=\"1276\" data-end=\"1291\"\u003estate gifts\u003c\/strong\u003e for diplomatic visits to Southeast Asia.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1814\"\u003eFrom the 1970s onward, Jiang Rong’s creations evolved toward naturalistic artistry — \u003cem data-start=\"1421\" data-end=\"1443\"\u003eWhite Lotus Wine Set\u003c\/em\u003e, \u003cem data-start=\"1445\" data-end=\"1464\"\u003ePipa Brush Holder\u003c\/em\u003e, \u003cem data-start=\"1466\" data-end=\"1498\"\u003eToad Catching Insect Water Cup\u003c\/em\u003e, and \u003cem data-start=\"1504\" data-end=\"1525\"\u003eTree-Trunk Planters\u003c\/em\u003e — blending human warmth and nature’s vitality. Her later masterpieces, such as \u003cem data-start=\"1605\" data-end=\"1639\"\u003eHundred Longevity Tree-Trunk Pot\u003c\/em\u003e, \u003cem data-start=\"1641\" data-end=\"1663\"\u003eJade Rabbit Moon Pot\u003c\/em\u003e, and \u003cem data-start=\"1669\" data-end=\"1698\"\u003eChrysanthemum Butterfly Pot\u003c\/em\u003e, established her signature sculptural style — \u003cstrong data-start=\"1745\" data-end=\"1811\"\u003etechnically flawless, vividly realistic, and spiritually alive\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1816\" data-end=\"2079\"\u003eHer works have been collected by the \u003cstrong data-start=\"1853\" data-end=\"1870\"\u003ePalace Museum\u003c\/strong\u003e, \u003cstrong data-start=\"1872\" data-end=\"1907\"\u003eZiguang Pavilion at Zhongnanhai\u003c\/strong\u003e, and the \u003cstrong data-start=\"1917\" data-end=\"1948\"\u003eHong Kong Museum of Teaware\u003c\/strong\u003e, and have fetched auction records exceeding \u003cstrong data-start=\"1993\" data-end=\"2012\"\u003eone million RMB\u003c\/strong\u003e for individual teapots such as \u003cem data-start=\"2044\" data-end=\"2055\"\u003eLotus Pot\u003c\/em\u003e and \u003cem data-start=\"2060\" data-end=\"2076\"\u003eWatermelon Pot\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2081\" data-end=\"2308\"\u003eMore than an artist, Jiang Rong opened the path for generations of female potters, proving that delicacy and strength could coexist in clay. Her legacy continues to inspire collectors, scholars, and artisans around the world.\u003c\/p\u003e\n\u003cp data-start=\"2310\" data-end=\"2333\"\u003e\u003cstrong data-start=\"2310\" data-end=\"2331\"\u003eTitles \u0026amp; Honours:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- National Master of Arts and Crafts (1993)\u003cbr\u003e- National Ceramic Art Master (2003)\u003cbr\u003e- First Female Grandmaster of Chinese Zisha Art\u003cbr\u003e- Technical Consultant, Yixing Shushan Pottery Cooperative (1956)\u003cbr\u003e- State Gift Designer for Premier Zhou Enlai’s Diplomatic Visits\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":41078028927034,"sku":null,"price":449000.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/WhatsAppImage2025-10-30at11.55.12.jpg?v=1761924322"},{"product_id":"zisha-teapot-by-level-1a-grandmasters-fan-wei-qun","title":"Zisha teapot collection by Level 1A Grandmasters, FAN Wei-Qun  范伟群 Indicative price","description":"\u003ch3 data-start=\"259\" data-end=\"321\"\u003e\u003cstrong data-start=\"263\" data-end=\"319\"\u003eMaster Fan Wei-Qun – Grandmaster of Yixing Zisha Art\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"323\" data-end=\"632\"\u003eBorn in 1970 into a renowned pottery family of Yixing, \u003cstrong data-start=\"378\" data-end=\"393\"\u003eFan Wei-Qun\u003c\/strong\u003e is a fourth-generation heir to the legendary “Da Sheng Pottery” line founded by his ancestor Fan Da-Sheng. With over 30 years of artistic practice, he is widely recognized as one of the leading figures in contemporary Zisha ceramic art.\u003c\/p\u003e\n\u003cp data-start=\"634\" data-end=\"656\"\u003e\u003cstrong data-start=\"634\" data-end=\"654\"\u003eTitles \u0026amp; Honours\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- National Master of Ceramic Art (China) – specialized in teapot making\u003cbr\u003e- Jiangsu Provincial Master of Arts and Crafts (2016, 6th edition)\u003cbr\u003e- Jiangsu Provincial Master of Ceramic Art (2011, 1st edition)\u003cbr\u003e- Senior Research-Level Arts and Crafts Artist (Level 1) since 2012\u003cbr\u003e- Vice President, Jiangsu Ceramic Arts Committee\u003cbr\u003e- Representative Inheritor of Wuxi’s Intangible Cultural Heritage (Zisha Pottery)\u003cbr\u003e- Founder and Artistic Director of Fan Family Pottery Studio\u003cbr\u003e- Chairman of Xi Wang Zisha Ceramic Cooperative and President of Yixing Youth Pottery Artists Association\u003cbr\u003e- Designated expert for Zisha art valuation by the Jiangsu Provincial Price Bureau\u003c\/p\u003e\n\u003cp data-start=\"1347\" data-end=\"1692\"\u003e\u003cstrong data-start=\"1347\" data-end=\"1380\"\u003eArtistic Heritage \u0026amp; Education\u003c\/strong\u003e\u003cbr data-start=\"1380\" data-end=\"1383\"\u003eTrained under two Zisha grandmasters – \u003cstrong data-start=\"1422\" data-end=\"1437\"\u003eWu Tong-Fen\u003c\/strong\u003e and \u003cstrong data-start=\"1442\" data-end=\"1457\"\u003eXu Han-Tang\u003c\/strong\u003e – Master Fan also completed advanced art studies at both Tsinghua Academy of Fine Arts and China Academy of Art. He combines rigorous craftsmanship with deep cultural reflection, creating works that balance form, function, and soul.\u003c\/p\u003e\n\u003cp data-start=\"1694\" data-end=\"2195\"\u003e\u003cstrong data-start=\"1694\" data-end=\"1726\"\u003eContributions \u0026amp; Achievements\u003c\/strong\u003e\u003cbr data-start=\"1726\" data-end=\"1729\"\u003eOver his career, Master Fan has created more than 100 original Zisha teapot designs — each noted for precise proportion, fine hand-finishing, and rich artistic connotation. He has taught hundreds of students and founded multiple cooperatives to nurture young potters. His works have been exhibited in the United States, France, the United Kingdom, Japan, Korea, Singapore, and across Hong Kong and Taiwan, widely praised for their refined style and cultural depth.\u003c\/p\u003e\n\u003cp data-start=\"2197\" data-end=\"2585\"\u003eHis masterpieces — including \u003cem data-start=\"2226\" data-end=\"2251\"\u003e“Heavenly Treasure Pot”\u003c\/em\u003e and \u003cem data-start=\"2256\" data-end=\"2273\"\u003e“Jade Wall Pot”\u003c\/em\u003e — have won \u003cstrong data-start=\"2285\" data-end=\"2300\"\u003eGold Awards\u003c\/strong\u003e at the 4th and 8th China Master Arts Expositions. The work \u003cem data-start=\"2360\" data-end=\"2378\"\u003e“Monk’s Hat Pot”\u003c\/em\u003e is preserved in the Korean National Museum. Several of his teapots are held in the collections of the \u003cstrong data-start=\"2481\" data-end=\"2499\"\u003eBritish Museum\u003c\/strong\u003e, the \u003cstrong data-start=\"2505\" data-end=\"2533\"\u003eAmerican Ceramics Museum\u003c\/strong\u003e, and China’s \u003cstrong data-start=\"2547\" data-end=\"2582\"\u003eZiguang Pavilion of Zhongnanhai\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2587\" data-end=\"2870\"\u003eBeyond his craft, Master Fan has authored and edited key works including \u003cem data-start=\"2660\" data-end=\"2693\"\u003eA Brief History of Yixing Zisha\u003c\/em\u003e, \u003cem data-start=\"2695\" data-end=\"2734\"\u003eA Brief History of Republic-Era Zisha\u003c\/em\u003e, and \u003cem data-start=\"2740\" data-end=\"2782\"\u003eThe Art of Fan Wei-Qun’s Zisha Creations\u003c\/em\u003e, and he is a recognized researcher and cultural ambassador for Yixing Zisha heritage.\u003c\/p\u003e\n\u003cp data-start=\"2872\" data-end=\"3139\"\u003e\u003cstrong data-start=\"2872\" data-end=\"2886\"\u003ePhilosophy\u003c\/strong\u003e\u003cbr data-start=\"2886\" data-end=\"2889\"\u003eMaster Fan believes that a Zisha teapot is not merely a vessel, but a living expression of balance between earth and human spirit. Each curve, each spout, and each touch of clay embodies his vision — “to let tradition breathe through modern hands.”\u003c\/p\u003e\n\u003cp data-start=\"2872\" data-end=\"3139\"\u003ePrices are indicative and subject to stock availability\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":41078038396986,"sku":null,"price":39500.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/Z2010.jpg?v=1761925907"},{"product_id":"zisha-teapot-by-level-1a-grandmasters-he-dao-hong","title":"Zisha teapot by Level 1A Grandmasters, HE Dao-Hong 何道洪 童稚壶 250cc","description":"\u003ch3 data-start=\"228\" data-end=\"290\"\u003e\u003cstrong data-start=\"232\" data-end=\"288\"\u003eMaster He Dao-Hong – Grandmaster of Modern Zisha Art\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"292\" data-end=\"689\"\u003eBorn in 1943 in Yixing, \u003cstrong data-start=\"316\" data-end=\"331\"\u003eHe Dao-Hong\u003c\/strong\u003e is one of China’s most respected contemporary Zisha masters and among the first generation of officially recognized \u003cstrong data-start=\"448\" data-end=\"490\"\u003eNational Masters of Ceramic Art (2003)\u003c\/strong\u003e. He holds the title of \u003cstrong data-start=\"514\" data-end=\"575\"\u003eSenior Research-Level Master of Arts and Crafts (Level 1)\u003c\/strong\u003e and \u003cstrong data-start=\"580\" data-end=\"628\"\u003eJiangsu Provincial Master of Arts and Crafts\u003c\/strong\u003e, representing the highest echelon of Zisha artistry today.\u003c\/p\u003e\n\u003cp data-start=\"691\" data-end=\"1012\"\u003eHe began his career in \u003cstrong data-start=\"714\" data-end=\"722\"\u003e1958\u003c\/strong\u003e at the Yixing Zisha Factory, studying under legendary masters \u003cstrong data-start=\"785\" data-end=\"801\"\u003eWang Yinchun\u003c\/strong\u003e and \u003cstrong data-start=\"806\" data-end=\"820\"\u003ePei Shimin\u003c\/strong\u003e. In 1976, he furthered his artistic studies at the \u003cstrong data-start=\"872\" data-end=\"910\"\u003eCentral Academy of Arts and Crafts\u003c\/strong\u003e, refining a style known for its \u003cstrong data-start=\"943\" data-end=\"1009\"\u003epowerful structure, deep cultural roots, and timeless elegance\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1014\" data-end=\"1390\"\u003eFrom the 1980s onward, Master He’s works have been collected by prestigious institutions including the \u003cstrong data-start=\"1117\" data-end=\"1144\"\u003ePalace Museum (Beijing)\u003c\/strong\u003e, \u003cstrong data-start=\"1146\" data-end=\"1181\"\u003eZiguang Pavilion at Zhongnanhai\u003c\/strong\u003e, the \u003cstrong data-start=\"1187\" data-end=\"1218\"\u003eHong Kong Museum of Teaware\u003c\/strong\u003e, and the \u003cstrong data-start=\"1228\" data-end=\"1266\"\u003eCentral Academy of Arts and Design\u003c\/strong\u003e. His teapots have also been chosen as \u003cstrong data-start=\"1305\" data-end=\"1320\"\u003estate gifts\u003c\/strong\u003e, representing China’s cultural heritage in international diplomacy.\u003c\/p\u003e\n\u003cp data-start=\"1392\" data-end=\"1631\"\u003eToday, He Dao-Hong is revered as a \u003cstrong data-start=\"1427\" data-end=\"1460\"\u003eliving legend of Yixing Zisha\u003c\/strong\u003e, admired for his bold yet balanced forms that combine classical integrity with modern spirit — embodying both the strength of clay and the calm of a lifetime’s mastery.\u003c\/p\u003e\n\u003cp data-start=\"1633\" data-end=\"1657\"\u003e\u003cstrong data-start=\"1633\" data-end=\"1655\"\u003eTitles and Honors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- National Master of Ceramic Art (First Batch 2003)\u003cbr\u003e- Senior Research-Level Master of Arts and Crafts (Level 1)\u003cbr\u003e- Jiangsu Provincial Master of Arts and Crafts\u003cbr\u003e- Apprentice of Wang Yinchun and Pei Shimin\u003cbr\u003e- Recognized as a Leading Grandmaster of Contemporary Zisha\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":41078044164154,"sku":null,"price":268000.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/WhatsAppImage2025-10-31at11.53.24PM.jpg?v=1761926278"},{"product_id":"zisha-teapot-by-level-1a-grandmasters-mao-guo-qiang","title":"Zisha teapot by Level 1A Grandmasters, MAO Guo-Qiang 毛国强 通灵宝玉","description":"\u003ch3 data-end=\"304\" data-start=\"232\"\u003e\u003cstrong data-end=\"302\" data-start=\"236\"\u003eMaster Mao Guo-Qiang – The Literati Artisan of Zisha \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"622\" data-start=\"306\"\u003e\u003cstrong data-end=\"323\" data-start=\"306\"\u003eMao Guo-Qiang\u003c\/strong\u003e, also known by his art name \u003cem data-end=\"364\" data-start=\"352\"\u003eYi Su (一粟)\u003c\/em\u003e, is one of the most accomplished scholar-artisans of the Yixing Zisha tradition. Born in 1945 into a family of potters in Shushan, Yixing, he embodies the union of \u003cstrong data-end=\"571\" data-start=\"529\"\u003ecraftsmanship and calligraphic culture\u003c\/strong\u003e that defines the literati spirit of Chinese art.\u003c\/p\u003e\n\u003cp data-end=\"880\" data-start=\"624\"\u003eHe holds the titles of \u003cstrong data-end=\"703\" data-start=\"647\"\u003eNational Master of Arts and Crafts (2018, 7th batch)\u003c\/strong\u003e and \u003cstrong data-end=\"757\" data-start=\"708\"\u003eNational Ceramic Art Master (2010, 2nd batch)\u003c\/strong\u003e, and attained \u003cstrong data-end=\"814\" data-start=\"772\"\u003eSenior Research-Level Master (Level 1)\u003c\/strong\u003e status in 2005 — the highest distinction for artisans in China.\u003c\/p\u003e\n\u003cp data-end=\"1332\" data-start=\"882\"\u003eMao began his artistic training in 1958 at the \u003cstrong data-end=\"953\" data-start=\"929\"\u003eYixing Zisha Factory\u003c\/strong\u003e, apprenticing under the legendary \u003cstrong data-end=\"1004\" data-start=\"988\"\u003eRen Gan-Ting\u003c\/strong\u003e, a formative influence that grounded his mastery in both form and inscription. In 1987, he furthered his studies at the \u003cstrong data-end=\"1159\" data-start=\"1125\"\u003eHenan Institute of Calligraphy\u003c\/strong\u003e, under the mentorship of \u003cstrong data-end=\"1202\" data-start=\"1185\"\u003eChen Tian-Ran\u003c\/strong\u003e, deepening his understanding of brush rhythm and aesthetic balance — traits that became the hallmark of his ceramic engravings.\u003c\/p\u003e\n\u003cp data-end=\"1738\" data-start=\"1334\"\u003eOver a career spanning more than five decades, Master Mao has won numerous national and international awards, including the \u003cstrong data-end=\"1496\" data-start=\"1458\"\u003eNational Ceramic Design Gold Prize\u003c\/strong\u003e and the \u003cstrong data-end=\"1534\" data-start=\"1505\"\u003eWest Lake Expo Gold Award\u003c\/strong\u003e. His works are housed in prestigious collections such as the \u003cstrong data-end=\"1613\" data-start=\"1596\"\u003ePalace Museum\u003c\/strong\u003e, \u003cstrong data-end=\"1633\" data-start=\"1615\"\u003eTianjin Museum\u003c\/strong\u003e, \u003cstrong data-end=\"1670\" data-start=\"1635\"\u003eZiguang Pavilion at Zhongnanhai\u003c\/strong\u003e, \u003cstrong data-end=\"1698\" data-start=\"1672\"\u003eLos Angeles Art Museum\u003c\/strong\u003e, and the \u003cstrong data-end=\"1735\" data-start=\"1708\"\u003eAsia-Pacific Art Museum\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"1995\" data-start=\"1740\"\u003eHis art transcends craft — combining \u003cstrong data-end=\"1826\" data-start=\"1777\"\u003epoetry, calligraphy, painting, and Zisha form\u003c\/strong\u003e into one unified expression. The vigor of his carving lines reveals both strength and grace, with a style often described as \u003cem data-end=\"1993\" data-start=\"1952\"\u003e“majestic yet fluid, bold yet refined.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-end=\"2436\" data-start=\"1997\"\u003eThroughout his career, Master Mao collaborated with iconic artists such as \u003cstrong data-end=\"2087\" data-start=\"2072\"\u003eLu Yan-Shao\u003c\/strong\u003e, \u003cstrong data-end=\"2105\" data-start=\"2089\"\u003eCheng Shi-Fa\u003c\/strong\u003e, \u003cstrong data-end=\"2119\" data-start=\"2107\"\u003eTang Yun\u003c\/strong\u003e, \u003cstrong data-end=\"2136\" data-start=\"2121\"\u003eHan Mei-Lin\u003c\/strong\u003e, and \u003cstrong data-end=\"2154\" data-start=\"2142\"\u003eFan Zeng\u003c\/strong\u003e, blending calligraphic and pictorial art into the unique cultural form of literati Zisha. His monumental works, including \u003cem data-end=\"2310\" data-start=\"2277\"\u003e“Lion and Elephant Jade Tripod”\u003c\/em\u003e and \u003cem data-end=\"2341\" data-start=\"2315\"\u003e“Hundred Longevity Vase”\u003c\/em\u003e, are permanently displayed at \u003cstrong data-end=\"2392\" data-start=\"2372\"\u003eZiguang Pavilion\u003c\/strong\u003e, the state reception hall in Zhongnanhai.\u003c\/p\u003e\n\u003cp data-end=\"2663\" data-start=\"2438\"\u003eMao Guo-Qiang’s creative philosophy is clear: \u003cem data-end=\"2534\" data-start=\"2484\"\u003e“Clay carries culture, and form carries spirit.”\u003c\/em\u003e His teapots embody a dialogue between strength and serenity — each one an artifact of Chinese elegance and intellectual depth.\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":41078045048890,"sku":null,"price":16300.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/WhatsAppImage2025-10-31at11.53.25PM_1.jpg?v=1761926522"},{"product_id":"zisha-teapot-by-level-1a-grandmasters-bao-zi-qiang","title":"Zisha teapot by Level 1A Grandmasters, BAO Zi-Qiang 鲍志强 石瓢","description":"\u003ch3 data-start=\"217\" data-end=\"289\"\u003e\u003cstrong data-start=\"221\" data-end=\"287\"\u003eMaster Bao Zhi-Qiang – The Poet of Zisha Engraving (1946–2024)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"291\" data-end=\"609\"\u003e\u003cstrong data-start=\"291\" data-end=\"308\"\u003eBao Zhi-Qiang\u003c\/strong\u003e, art name \u003cem data-start=\"319\" data-end=\"327\"\u003eLe Ren\u003c\/em\u003e (乐人), was born in 1946 in Yixing, Jiangsu — the heartland of Zisha clay art. He was one of the most revered figures of modern Chinese ceramic art, honoured as both a \u003cstrong data-start=\"494\" data-end=\"550\"\u003eNational Master of Arts and Crafts (2006, 5th batch)\u003c\/strong\u003e and a \u003cstrong data-start=\"557\" data-end=\"606\"\u003eNational Ceramic Art Master (2003, 1st batch)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"611\" data-end=\"1014\"\u003eHe entered the Yixing Zisha Factory in 1959, first apprenticing under \u003cstrong data-start=\"681\" data-end=\"696\"\u003eTan Yao-Kun\u003c\/strong\u003e and \u003cstrong data-start=\"701\" data-end=\"715\"\u003eFan Ze-Lin\u003c\/strong\u003e for pottery carving, and later under \u003cstrong data-start=\"753\" data-end=\"767\"\u003eWu Yun-Gen\u003c\/strong\u003e to refine his teapot-making skills. In 1965, he became a student of the legendary ceramic engraver \u003cstrong data-start=\"867\" data-end=\"883\"\u003eRen Gan-Ting\u003c\/strong\u003e, under whose influence Bao developed a lifelong devotion to integrating \u003cem data-start=\"956\" data-end=\"1000\"\u003epoetry, calligraphy, painting, and carving\u003c\/em\u003e into Zisha.\u003c\/p\u003e\n\u003cp data-start=\"1016\" data-end=\"1371\"\u003eOver his six-decade career, Master Bao rose to the position of \u003cstrong data-start=\"1079\" data-end=\"1133\"\u003eChief Technical Artist of the Yixing Zisha Factory\u003c\/strong\u003e, achieving the title of \u003cstrong data-start=\"1158\" data-end=\"1219\"\u003eSenior Research-Level Master of Arts and Crafts (Level 1)\u003c\/strong\u003e. His artistic philosophy centered on \u003cem data-start=\"1257\" data-end=\"1295\"\u003eculture as the soul of craftsmanship\u003c\/em\u003e — transforming each teapot into a vessel of both function and philosophy.\u003c\/p\u003e\n\u003cp data-start=\"1373\" data-end=\"1697\"\u003eHe was celebrated for his mastery in \u003cstrong data-start=\"1410\" data-end=\"1434\"\u003epottery carving (陶刻)\u003c\/strong\u003e — his strokes carried the grace of calligraphy and the power of engraving, making each piece a dialogue between form and spirit. His designs fused classical literati aesthetics with the simplicity of daily life, setting a benchmark for modern Zisha decoration.\u003c\/p\u003e\n\u003cp data-start=\"1699\" data-end=\"1727\"\u003e\u003cstrong data-start=\"1699\" data-end=\"1725\"\u003eAwards \u0026amp; Achievements:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- Multiple Gold Awards at National Arts \u0026amp; Craft Masters Exhibitions (1980s–2000s)\u003cbr\u003e- Works “Noble Tea Set,” “Purple Jade Aroma,” “Source of Spring” – 1st Prize, National Ceramic Art Exhibition\u003cbr\u003e- “Eternal Joy” and “Longevity Pot” – exhibited at Japan’s Mino International Ceramic Expo\u003cbr\u003e- “Ancient Charm” and “Fragrant Tea” – Gold Awards at China National Masters Expo\u003cbr\u003e- Engravings “Spring in Guilin” and “Plum Blossoms in Ink” – collected by the Palace Museum (Beijing)\u003c\/p\u003e\n\u003cp data-start=\"2228\" data-end=\"2510\"\u003eMaster Bao’s pieces are housed in \u003cstrong data-start=\"2262\" data-end=\"2295\"\u003eZiguang Pavilion, Zhongnanhai\u003c\/strong\u003e, \u003cstrong data-start=\"2297\" data-end=\"2318\"\u003eThe Palace Museum\u003c\/strong\u003e, and \u003cstrong data-start=\"2324\" data-end=\"2342\"\u003eNanjing Museum\u003c\/strong\u003e, and have appeared in both domestic and international exhibitions. His published monographs and solo exhibitions continue to influence generations of Zisha artisans.\u003c\/p\u003e\n\u003cp data-start=\"2512\" data-end=\"2759\"\u003eEven in his later years, Bao Zhi-Qiang remained a gentle scholar-artisan — a “poet with a carving knife.” His passing in January 2024 marked the end of an era, but his artistry endures as the living memory of Yixing’s most refined cultural soul.\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":41078047735866,"sku":null,"price":16300.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/WhatsAppImage2025-10-31at11.53.26PM.jpg?v=1761927774"},{"product_id":"zisha-teapot-by-level-1a-grandmasters-ji-yi-shun-signature-masterpiece","title":"Zisha teapot by Level 1A Grandmasters, JI Yi-Shun 季益顺 Signature masterpiece 金玉砂 【紫玉金砂】卡金丝镶嵌工艺","description":"\u003cp\u003eCALL US NOW\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4_ePhMyPiGI?si=FX46GRk3RvSq8nRZ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"214\" data-end=\"297\"\u003e\u003cstrong data-start=\"218\" data-end=\"295\"\u003eMaster Ji Yi-Shun – The Innovator Bridging Tradition and Modern Zisha Art\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"299\" data-end=\"636\"\u003eBorn in 1960 in Yixing, \u003cstrong data-start=\"323\" data-end=\"337\"\u003eJi Yi-Shun\u003c\/strong\u003e is one of the most influential figures in contemporary Zisha art — celebrated as one of the \u003cstrong data-start=\"430\" data-end=\"454\"\u003e“Four Young Dragons”\u003c\/strong\u003e of the teapot world, alongside Jiang Jian-Xiang, Chen Guo-Liang, and Shi Xiao-Ma. His mastery bridges the classic lineage of traditional craftsmanship with bold modern innovation.\u003c\/p\u003e\n\u003cp data-start=\"638\" data-end=\"917\"\u003eJi began his artistic journey in 1978 at the \u003cstrong data-start=\"683\" data-end=\"707\"\u003eYixing Zisha Factory\u003c\/strong\u003e, apprenticing under the renowned \u003cstrong data-start=\"741\" data-end=\"755\"\u003eGao Li-Jun\u003c\/strong\u003e (Research-Level Senior Master). By the 1990s, his works had already earned international recognition for their technical precision, vitality, and poetic charm.\u003c\/p\u003e\n\u003cp data-start=\"919\" data-end=\"1181\"\u003eHe is a \u003cstrong data-start=\"927\" data-end=\"983\"\u003eNational Master of Arts and Crafts (2018, 7th batch)\u003c\/strong\u003e, a \u003cstrong data-start=\"987\" data-end=\"1036\"\u003eNational Ceramic Art Master (2010, 2nd batch)\u003c\/strong\u003e, and holds the title of \u003cstrong data-start=\"1061\" data-end=\"1119\"\u003eSenior Research-Level Arts and Crafts Artist (Level 1)\u003c\/strong\u003e — the highest professional rank in China’s craft hierarchy.\u003c\/p\u003e\n\u003cp data-start=\"1183\" data-end=\"1243\"\u003e\u003cstrong data-start=\"1183\" data-end=\"1208\"\u003eLeadership and Honors\u003c\/strong\u003e\u003cbr data-start=\"1208\" data-end=\"1211\"\u003eMaster Ji currently serves as:\u003c\/p\u003e\n\u003cp\u003e* Director of the Zisha Art Committee, China Arts and Crafts Society\u003cbr\u003e* Vice Chairman of the Ceramic Art Committee, China Ceramic Industry Association\u003cbr\u003e* Vice President of the Jiangsu Arts and Crafts Association\u003cbr\u003e* Deputy Chairman of Jiangsu Folk Artists Association\u003cbr\u003e* Representative of the Jiangsu Provincial People’s Congress\u003c\/p\u003e\n\u003cp data-start=\"1580\" data-end=\"2176\"\u003e\u003cstrong data-start=\"1580\" data-end=\"1605\"\u003eArtistic Achievements\u003c\/strong\u003e\u003cbr data-start=\"1605\" data-end=\"1608\"\u003eOver his 40-year career, Master Ji has created hundreds of original works that blend \u003cstrong data-start=\"1693\" data-end=\"1737\"\u003eartistic elegance with functional design\u003c\/strong\u003e. His early creations like \u003cem data-start=\"1764\" data-end=\"1801\"\u003e“Flower Fragrance and Bamboo Charm”\u003c\/em\u003e and \u003cem data-start=\"1806\" data-end=\"1823\"\u003e“Field Scenery”\u003c\/em\u003e demonstrated deep respect for tradition. Later, his masterpieces — \u003cem data-start=\"1891\" data-end=\"1996\"\u003e“Auspicious Series,” “China Pot,” “Golden Spring of Jinling,” “Sunward Heart,” “Hundred Treasures Pot,”\u003c\/em\u003e and \u003cem data-start=\"2001\" data-end=\"2019\"\u003e“Jade Gold Sand”\u003c\/em\u003e — combined intricate metal inlay and multi-colored clay embedding techniques, elevating Zisha teapots to a new level of \u003cstrong data-start=\"2140\" data-end=\"2173\"\u003eluxury and cultural symbolism\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2178\" data-end=\"2519\"\u003eHis style is marked by \u003cstrong data-start=\"2201\" data-end=\"2248\"\u003ebalance between floral and minimalist forms\u003c\/strong\u003e, merging sculpture, painting, and relief into a three-dimensional poetic language. Each pot reflects both refinement and innovation — embodying what collectors call \u003cem data-start=\"2414\" data-end=\"2439\"\u003e“The Ji Yi-Shun School”\u003c\/em\u003e: art that is \u003cstrong data-start=\"2453\" data-end=\"2516\"\u003egraceful in form, spiritual in essence, and timeless in use\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"2521\" data-end=\"2553\"\u003e\u003cstrong data-start=\"2521\" data-end=\"2551\"\u003eMajor Awards \u0026amp; Recognition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-start=\"2556\" data-end=\"2575\"\u003e- “Fitness Tea Set” – 1st Prize, National Ceramic Design Competition (1986)\u003cbr\u003e- “Vigorous Mouse Pot” – 1st Prize, Jingdezhen Ceramic Exhibition (1996)\u003cbr\u003e- “Flower Fragrance and Bamboo Charm Pot” – Gold Award, 1st National Masters Exhibition (2000)\u003cbr\u003e- “Longevity Bamboo Pot” \u0026amp;amp; “Blessings Pot” – Gold Awards, 3rd \u0026amp;amp; 4th National Masters Expositions\u003cbr\u003e- “Purple Air from the East” – Gold Award, 37th National Arts Expo; later collected by Ziguang Pavilion, Zhongnanhai (2006)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"3046\" data-end=\"3419\"\u003e\u003cstrong data-start=\"3046\" data-end=\"3065\"\u003eArtistic Vision\u003c\/strong\u003e\u003cbr data-start=\"3065\" data-end=\"3068\"\u003eMaster Ji’s creative philosophy integrates the spirit of Chinese aesthetics — \u003cem data-start=\"3146\" data-end=\"3207\"\u003e“to infuse utility with grace, and simplicity with spirit.”\u003c\/em\u003e Through his art, Zisha transcends function to become cultural storytelling. His works are treasured not just for their beauty, but for how they \u003cstrong data-start=\"3352\" data-end=\"3416\"\u003ecapture the warmth, harmony, and refined joy of Chinese life\u003c\/strong\u003e.\u003c\/p\u003e","brand":"OVP","offers":[{"title":"Default Title","offer_id":41078055632954,"sku":null,"price":63700.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1587\/1309\/files\/JYS-C1237.png?v=1761927309"}],"url":"https:\/\/ovp.mom\/collections\/zisha-duan-ni-green-clay.oembed","provider":"OVP Tea","version":"1.0","type":"link"}